Press

Jean-Charles Hoffelé

L'avant-Scène Opéra

"Admirable in naturalness, evident in simplicity, Jenny Daviet's Mélisande will be a big surprise, which cleans up all fragility but not ambiguity."

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

KӦLNER STADT-ANZEIGER KӦLN

“The soprano Jenny Daviet shone with flawless ease…”

Gala Offenbach

FX ROTH - Philarmonie de Berlin

Gürzenich-Orchester Köln & Les Siècles

François Laurent

DIAPASON

“Sweet & serious, Jenny Daviet’s Mélisande, possesses two big worried blue eyes and a meaty soprano.”

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

Sophie Bourdais

TELERAMA

"We feast on Marc Mauillon's clear Pelléas, Jenny Daviet's fresh Mélisande, Laurent Alvaro's disturbing Golaud...

Jenny Daviet delicious Mélisande, in a Setting like Jacques Demy." 

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

Emmanuel DEROEUX

OLYRIX

"The Soprano Jenny Daviet doesn't have an intervention outside the quartet either, it's a shame because she shows a sweet voice but projected, with accuracy, on a strong technique." 

IXe de BEETHOVEN - FX ROTH - Les Siècles

FESTIVAL DE LA CÔTE SAINT ANDRE

MUSICWEB INTERNATIONAL

“The Mélisande of Jenny Daviet is near ideal, in voice and appearance, and consistently provides the loveliest singing in the performance, including the upper reaches of her song ​‘Mes longs cheveux descendent jusq’ua seuil de la tour’ that opens Act III, scene 2”

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

ABENDZEITUNG MÜNCHEN

“The slender, firm and flexible voice of Jenny Daviet can easily compete with the accompaniment in the Hercules Hall… With expressive gestures, which also capture her singing, she imaginatively presents the lyrics, transforms the language into music and thus creates a dreamy, ecstatic atmosphere. It is quite possible that the composer, if he could have heard that, would change his preference on the casting of this piece — and henceforth would have wished for a singer like Jenny Daviet.”

Poèmes pour Mi - MESSIAEN

Kent NAGANO - Herkulessaal, MUNICH

Symphonieorchester des Bayerischen Rundfunks

Pierre Flinois

CLASSICA

“The same can be said of Jenny Daviet’s Mélisande, clean tone, vibrant timbre, teeming with teen femininity. We find here a role as adapted to her voice as her usual Mozartian repertoire”

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

CLASSICAL NET

“Jenny Daviet as Mélisande is captivating in her innocence and she sings quite beautifully throughout… she is rather perfect for the role, matching the character’s often detached manner.”

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

Charles Arden

OLYRIX

"Jenny Daviet incarnates Mélisande, a small, wounded, cold thing…Her voice is in perfect harmony with the character, as written by Debussy and displayed in this staging: she shows all the frail and fragile but with assured technique."

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

FORUM OPERA

“the young soprano Jenny Daviet keeps her promise as Serpetta and her charming ​“Chi vuol godere il mondo” is well projected and full of delicacy.”

La Finta Giardiniera MOZART

Opéra de Rouen